MORE TO COME (2016)

 

MORE TO COME (2016)

Installationshots from MORE TO COME, 2016 curated by Ricus Aschemann & Maik Schlüter

 

MORE TO COME (2016)

Andreas Schulze, Ulrich Polster, Marco Poloni

 

MORE TO COME (2016)

Ulrich Polster

 

MORE TO COME (2016)

Marco Poloni

 

MORE TO COME (2016)

Marco Poloni

 

MORE TO COME (2016)

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MORE TO COME (2016)

Eiko Grimberg

 

MORE TO COME (2016)

Eiko Grimberg

 

MORE TO COME (2016)

Eiko Grimberg

 

MORE TO COME (2016)

Eiko Grimberg

 

MORE TO COME (2016)

Lucy Skaer

 

MORE TO COME (2016)

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MORE TO COME (2016)

Lucy Skaer

 

MORE TO COME (2016)

Viktoria Binschtok

 

MORE TO COME (2016)

Viktoria Binschtok

 

MORE TO COME (2016)

Andreas Schulze

 

MORE TO COME (2016)

Andreas Schulze

 

MORE TO COME (2016)

Andreas Schulze

 

MORE TO COME (2016)

Andreas Schulze (Detail)

 

MORE TO COME (2016)

Jörg Möller

 

MORE TO COME (2016)

Jörg Möller (Detail)

 

MORE TO COME (2016)

Absalom & Bardsley (Detail)

 

MORE TO COME (2016)

Absalom & Bardsley

 

MORE TO COME (2016)

Diana Artus, James Bridle

 

MORE TO COME (2016)

Diana Artus, James Bridle

 

MORE TO COME (2016)

Diana Artus

 

MORE TO COME (2016)

Katja Stuke & Oliver Sieber (links), Diana Artus, James Bridle (rechts)

 

MORE TO COME (2016)

Aussenansicht

 

MORE TO COME (2016)

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MORE TO COME (2016)

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MORE TO COME (2016)

Vitrinen mit Magazin und Buch YOU AND ME

 

MORE TO COME (2016)

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MORE TO COME (2016)

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MORE TO COME (2016)

Katja Stuke & Oliver Sieber (Innenansicht)

 

MORE TO COME (2016)

Katja Stuke & Oliver Sieber (Ansicht Erdgeschoss)

 

MORE TO COME (2016)

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MORE TO COME (2016)

Katja Stuke & Oliver Sieber, (Aussenansicht, Durchgang)

 

MORE TO COME (2016)

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MORE TO COME (2016)

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MORE TO COME (2016)

Katja Stuke & Oliver Sieber (Projektion Untergeschoss)

 

MORE TO COME (2016)

Scope Galerie

 

MORE TO COME (2016)

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MORE TO COME (2016)

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MORE TO COME (2016)

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MORE TO COME (2016)

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MORE TO COME (2016)

Andrew Phelps, Scope Galerie

 

MORE TO COME (2016)

Karin Jobst, Bankhaus Hallbaum

 

MORE TO COME (2016)

C 28 Kunstraum

 

MORE TO COME (2016)

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MORE TO COME (2016)

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MORE TO COME (2016)

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MORE TO COME (2016)

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MORE TO COME (2016)

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MORE TO COME (2016)

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MORE TO COME (2016)

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MORE TO COME (2016)

Absalom & Bardsley ( im Kunstraum C28)

Magazin 4 / Bregenzer Kunstverein / Bregenz (AU) / 2010
kuratiert von Maik Schlüter

 

Clare Strand, Gone Astray Details, 2002/03

Clare Strand, Gone Astray Details, 2002/03

 

 

Andreas Schulze, Vegas, 2006/07

Andreas Schulze, Vegas, 2006/07

 

 

 

 

Caroline Hake, Nightstop, 2005

Caroline Hake, Nightstop, 2005

 

David Deutsch, Nightsun, 1999-2003

David Deutsch, Nightsun, 1999-2003

 

 

Amy Patton, A Satisfied Mind, 2005 (Videoprojektion, links)

Amy Patton, A Satisfied Mind, 2005 (Videoprojektion, links)

 

 

Charles Gaines, Night/Crimes, 1995/97 (links)

Charles Gaines, Night/Crimes, 1995/97 (links)

´

 

Jerry Berndt, Nite Works, 1972-2009

Jerry Berndt, Nite Works, 1972-2009

 

 

Marco Poloni, Permutit-Scenes from a Film, 2005

Marco Poloni, Permutit-Scenes from a Film, 2005

 

 

Laura Bielau, Scud, 2006/07

Laura Bielau, Scud, 2006/07

 

Laura Bielau, Scud, 2006/07

Laura Bielau, Scud, 2006/07

Eröffnung von Noir Complex im Magazin 4, Bregenz von links nach rechts: Judith Reichart, Maik Schlüter, Wolfgang Fetz

 

Eröffnung von Noir Complex im Magazin 4, Bregenz

von links nach rechts: Judith Reichart, Maik Schlüter, Wolfgang Fetz

 

Eröffnung von Noir Complex im Magazin 4, Bregenz, von links nach rechts:  Marco Poloni, Laura Bielau, Andreas Schulze, Caroline Hake, Maik Schlüter, Judith Reichart, Wolfgang Fetz

 

Eröffnung von Noir Complex im Magazin 4, Bregenz, von links nach rechts:

Marco Poloni, Laura Bielau, Andreas Schulze, Caroline Hake, Maik Schlüter, Judith Reichart, Wolfgang Fetz